At Save Richmond, Andrew Beaujon's 2004 interview with Bryan Harvey provides good insight into the reasons for House of Freaks, in the first place, as well as reasons for the two-man band's inability to make a bigger splash in the long run.
"...But also the production values. Johnny [Hott] and I were trying for a much more primitive sound. We were trying to go for this front-porch recording sound that we heard in the Son House records. We wanted it to sound like an old blues record. We were working at a time when the industry was still kind of in the new wave days -- big reverb, big drum sound. That sort of mid-'80s sound. We kept fighting the same old battles: 'You see this expensive rack of equipment? Turn it off.' And they'd turn down maybe half a notch. We'd say, 'Keep going. Keep going.' Finally you just get tired of fighting those battles. Afterwards, the lo-fi ethic became a little bit more fashionable."
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