Legendary editor Ben Bradlee at the Washington Post. |
Then again, this list is isn't about declaring what I think are probably the five greatest films in the category. Instead, it's about favorite films. My favorites, today. Next week the list could change.
About those rules for this column: “Citizen Kane” (1941) isn't on my list this time. Here's why: Rather than focusing on Charles Foster Kane, the publisher or editor, etc., it's really more about Kane, the vain empire-builder who must dominate all he surveys. That and the lonely Kane, who has a fetish for collecting objects. Although it has been one of my all-time favorite films since forever this time around it doesn't make the cut. Rules.
“The Parallax View” (1974) is well worth watching again. Nonetheless, it's more a political thriller with a dauntless reporter for a protagonist. It's not a look at the people who put out a newspaper and how they do it. Accordingly, this means a ton of movies, good and bad, are being ruled out for this particular list since they rely too much on cliché-ridden variations of the independent-minded reporter being a fist-fighting, tough-guy detective.
So, in addition to being about films with interesting stories to tell about good characters, this list is about appreciating what it takes to assemble the staff, gather the news properly, write and edit the copy on deadline, design the pages, sell the ads, run the presses and circulate the newspaper. In alphabetical order, here are my five favorite films about newspapers:
- “All
the President's Men” (1976): Color. 138 minutes. Directed
by Alan J. Pakula. Cast: Robert Redford, Dustin Hoffman, Hal
Holbrook, Jason Robards, Jack Warden. Note: In covering a story
about unusual burglars getting caught breaking into the Democratic
Party's headquarters, which was in the Watergate building,
Washington Post reporters Bob Woodward (Redford) and Carl Bernstein
(Hoffman) find some loose ends. Following up, they begin an
investigative journey that eventually hastens the collapse of the
Nixon presidency.
- “Between
the Lines” (1977): Color. 101 Minutes. Directed by Joan
Micklin Silver. Cast: John Heard, Lindsay Crouse, Jeff Goldblum,
Jill Eikenberry, Gwen Welles, Michael J. Pollard. Note: As the 1970s
wound down the alternative periodicals that had thrived in the
late-'60s and early-'70s began to go out of style. And, the baby
boomer staffers for such publications were getting older. This film
reveals the conflicts they faced and the angst they felt as the
culture was changing and their time for being carefree and cool was
running out.
- “Deadline
U.S.A.” (1952): Black and white. 87 minutes. Directed by
Richard Brooks. Cast: Humphrey Bogart, Ethel Barrymore, Kim Hunter,
Ed Begley, Paul Stevens. Note: Bogart is the embattled editor of a
large daily newspaper that's about to be sold off to
tabloid-publishing interests that will pull the plug on it. It's
interesting to see that some of the problems large newspapers have
struggled with in the last 20 years of decline seem to go back much
further than the age of the Internet. This film's noirish style and
somewhat corny plot actually holds up pretty well.
- “Newspaperman:The
Life and Times of Ben Bradlee” (2017): In this documentary
black and white and color still images, as well as movie footage are
presented. 90 minutes. Directed by John Maggio. Note: Among those
seen and heard (as themselves) are: Ben Bradlee, Carl Bernstein, Bob
Woodward, Tom Brokaw, Sally Quinn, Jim Lehrer. Most folks are at
least somewhat aware of Bradlee's pivotal role as the editor of the
Washington Post during the Watergate scandal (See "All the
President's Men"). However, Bradlee's life story, before and
after that episode, is well worth knowing more about.
- “Spotlight”
(2015): Color. 129 minutes. Directed by Tom McCarthy. Cast: Mark
Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John
Slattery, Stanley Tucci. Note: In 2001 investigating the Catholic
Church for charges of facilitating the sexual abuse of children,
many children – in Boston! – posed quite a problem for the
Boston Globe. This view of the methodology of the editors and
reporters doing their jobs properly is as good as it gets. The
revelation of the powerful forces against them is brutally
unsparing.
These five movies do a good job of presenting pictures of inky
newspaper people, on the job, publishing – always on deadline! –
what Washington Post publisher Phil Graham liked to call, “the first
rough draft of history.”
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1 comment:
I would suggest "Absence of Malice" with Paul Newman and Sally Field. It's a lesson in doing your homework and doing no harm.
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