Lee Monument on Monument Avenue (2007).
Note: "Propaganda
in Bronze" (as edited) by STYLE Weekly can be seen here. It was the Mar. 16, 2016, issue's Back Page. What appears below is the copy I submitted. (The differences are small but real.)
*
Officials
in New Orleans, Baltimore and Austin recently came to the realization
that monuments glorifying the Confederate States of America (1861-65)
may no longer have a proper place on public property. Consequently, in
those three cities a few statues honoring the Confederacy are in the
process of being removed.
On Mar. 7, by passing HB587, a
proactive group of legislators in the General Assembly moved to prevent
that trend from spreading to Virginia. The bill empowered the state
government to seize control over the fate of war-related monuments
standing on public property. It wasn't immediately clear whether the
bill's language would also block historically accurate signage from
being placed near the statues of Confederate heroes on Monument Ave, as
has been suggested by some Richmonders as a way of providing a context
for the memorials.
Given what had happened in the
three aforementioned cities, it seems Virginia's lawmakers decided it
was time to take the “public” out of public art. Anyway, whatever their
intentions were, for the immediate future that won't matter. Gov. Terry
McAuliffe vetoed HB587 on Mar. 10.
Nonetheless, going
forward, the discussion over what to do about Confederate memorials on
public property is hardly going away. Virginians still tethered to
yesterday's thinking about the Civil War might not like it, but times
have changed. The propriety of making heroes out of men who are now seen
by many as having been traitors in their day is being questioned like
never before.
What was once unthinkable in Central Virginia is now possible. Want proof?
Henrico
County just decided to take Sen. Harry F. Byrd's name off the front of a
public school. Some people will surely squawk, saying the renaming of
the middle school amounts to rewriting history. But given Byrd's
association with the Massive Resistance movement of the 1950s and '60s,
that move may have been long overdue.
Most of the
monuments honoring the Confederacy that stand today in at least 20
states were put in place during the late-1800s/early-1900s. It was an
era in which Lost Cause misinformation was being promulgated by stubborn
sympathizers of the Confederacy. Plainly, they sought to paint over the
haunting politics of the Civil War. Which was a propaganda campaign, if
there ever was one.
Fast-forward to 2016: Whether
it's in Richmond or New Orleans, propaganda cast in bronze is still
propaganda. Today that propaganda's useful life as a political tool has
faded into the mists. Now Monument Avenue's row of statues have to stand
on their own as worthwhile art that has outlived its original purpose.
That's one of the differences between the statues of Robert E. Lee and
Jefferson F. Davis.
The solemn Lee Monument passes the
art test, even for many who have no warm regard for the sentiments of
Lost Cause thinking. Whereas, for me, the awkward assemblage that is the
Davis Monument represents bad medicine.
It should be
remembered that the three Confederate generals with statues on Monument
Avenue – Lee, Stuart and Jackson – were Virginians. Say what you will
about the Civil War, they served their home state. However, since Davis
was not a Virginian, the main reason to honor him in Richmond is that he
served as the president of the Confederacy. More than anything else,
doesn't the Davis Monument celebrate the Confederate States of America,
itself?
Speaking of public art and politics, the
simmering brouhaha over removing a beloved live oak tree from its home
at the triangular intersection of Adams St., Brook Rd. and Broad St., in
order to place a statue of Maggie L. Walker there, is another example
of how public art can get entangled with politics. Mayor Dwight Jones
apparently wants it done, pronto, but there are plenty of locals who
oppose him.
Some want to protect the tree. Others
would like to see a Walker memorial created, but placed elsewhere. Which
leads me to ask: How about where the Davis Monument sits today?
Maybe
putting a Walker statue on the fringe of Jackson Ward is best. Still,
I'm not the only one who thinks new monuments should be added to
Monument Avenue. Moreover, if putting a Walker Monument on Richmond's
most famous street would feel like a righteous step toward atonement for
Richmond's role in a war to protect the slave market business that once
thrived here, what's wrong with that?
The story of the
unveiling of such a statue on Monument Avenue would make worldwide
news. It would be good news about how Richmond is changing. And, why
stop with Maggie Walker? Surely there are other Virginians who deserve
to be considered. How about Justice F. Lewis Powell?
Finally,
let's stiff-arm the absurd notion that dismantling an old statue, to
ship to it off to a museum, amounts to rewriting history. No one is
suggesting that Jefferson Davis should be banished from history books.
Davis was a key player in an important period of American history.
Still, the public's view of his worthiness to be elevated to the status
of a hero is just not the same in 2016 as it was when the Davis Monument
was unveiled in 1907.
New Orleans already did the
right thing. So did Baltimore and Austin. How long will Richmond's City
Council members wait to face the music? In the meantime, thank you, Gov.
McAuliffe.
-- My words and photo.
