Wednesday, February 27, 2013

Society needs fewer massacres



Those of us who are in favor of banning assault rifles and large magazines are seeking to balance the needs of society with the needs of individuals. Striking that balance, properly, is how freedom is supposed to work in the USA. The pursuit of your happiness can't just trample my pursuit of happiness.

For the individuals who like them, military rifles designed for combat and big clips may be fun things to use and possess. But civilians don’t need them for hunting or protection. There are plenty of reasonable options that will fill those needs.

Whereas, society needs fewer massacres. 

So, you say you need an assault rifle to fight the government or an invasion of zombies? Like, you're stocking up provisions for your bunker, to be ready for the day you need to go Rambo?

Rather than needing military weaponry, you need better taste in movies.

Tuesday, February 26, 2013

The Bounce

To organize the 347 programs there are 32 Division I conferences in NCAA men‘s college basketball. There are just two teams that are independents, operating with no conference affiliation.

A glance at today’s RPI (CBS Sports) shows that half of those conferences have at least one team in the top 60. On Selection Sunday (Mar. 17) schools not in the top 60 then will have little or no chance of getting an at-large invitation to the Big Dance. Teams in the 40s and 50s of the RPI that don’t win their conference’s tournament, to get an automatic bid, are the ones we tend to see as being “on the bubble.”

Four D-I conferences have just one team on the list of 60: Mid-American; Ohio Valley; Patriot; Sun Belt. Three of the leagues have two teams: Conference USA; West Coast; Western Athletic.

That leaves nine conferences with three or more teams in today‘s top 60. They are: Big East w/9; A-10 w/7; Big 10 w/7; Big 12 w/5; SEC w/5; Mt. West w/5; Pac 12 w/5; ACC w/4; Mo. Valley w/3.

ACC fans may not like to think of their favorite league as being the eighth best in D-I, but that’s exactly how it looks today.

March Madness-wise, this may not be such a good year for college basketball fans in the Commonwealth of Virginia, either. The only in-state team currently in the RPI top 60 is VCU at No. 36. So, with UVa. sitting at No. 73 and Richmond at No. 78, both have some work to do.

Monday, February 18, 2013

AP Poll: VCU No. 24

 

In the new Top 25 lists published today, both the AP Poll and Coaches Poll have VCU (21-5, 9-2 in A-10) ranked at No. 24. In case you haven't noticed, the Rams are having another pretty good season. The Associated Press says:
VCU was the only newcomer to the poll this week. The Rams, who had been out of the rankings the last three weeks, moved in at No. 24. The only team to fall out of the rankings was Kentucky, which was No. 25 and dropped out after losing [to] Florida and Tennessee last week.
Meanwhile, in both polls the team just outside the list of 25 -- among those also receiving votes -- the first team mentioned is Saint Louis (19-5, 8-2 in A-10), meaning the Billikens are essentially No. 26.

Currently the Rams are a half-game ahead of the Billikens in the A-10. The two teams will face one another in St. Louis on Tuesday night at 9 p.m. (CBS Sports Network).

What's a Billiken, anyway?

Go here.

Sunday, February 17, 2013

Like Mike? No thanks

Please count me among those who could hardly care less that former NBA star Michael Jordan has turned 50.

Is Jordan the best pro athlete born on Feb. 17? Maybe, but Jim Brown was a pretty good football player in his day. Jim is 77 today, in case you want to celebrate. However, not unlike Mike, Jim’s troubled life away from his sport has not been particularly heroic or all that worth emulating.

Since Paris Hilton, Huey Newton, Wally Pipp and many other Americans with Wikipedia pages were also born on Feb. 17, Jordan may not be the most significant modern celebrity to have come into the world on that date. And, the list of well known people who were also born in 1963, like Mike, is way too long to even think about.

So, by way of much sports news hype, we know that Mr. Hanes Nike Gatorade Rayovac Ball-Park-Franks has turned 50 today. 

So what!  

Friday, February 15, 2013

Where the Frisbee Landed

The Carillon's stairway up to a tee

Post No. 2: Designing and naming  
(Read Post No. 1 here.)

The concept of Frisbee-golf came to us from a friend of Stew’s who worked with him at Sam Miller’s, a popular restaurant/night club in a part of Richmond’s downtown called Shockoe Slip. The friend, who was called “Muh,” was from California.

In 1976 Larry worked the night shift. He and I were both 28. Stew, who was probably 22, was a student/bartender and I managed a movie theater. So we three had lots of time available in the afternoon to devote to improving our skills at the game. As we walked the loop around Shield's Lake, occasionally we made changes to improve the course. That basically meant moving a tee or changing the target object. Different styles of throwing were tested.

At one time the same site had served Richmonders as a giant swimming pool with diving boards. The public swimming era had ended abruptly some 20 years before this time, so we had the area to ourselves on many of those afternoons spent developing our customs. Larry kept a little notebook in which he recorded all the scores. He also made notes about the weather and any other noteworthy occurrences or oddities.

The Frisbees we used then all floated, so when they landed in the water, we easily fished them back out with a hook and line. As we were using a public space we were careful not to be intrusive on picnicking families. Our courses have never been marked in any way, so when we leave the park it hasn't been changed ... expect for the trash we find and pick up. 

It’s likely we started calling the first course The Lake in 1977, once we started playing our second nine-hole course in another part of Byrd Park. The second course was close to The Carillon, so that’s what we called the second nine. Like the first course we configured it with four par threes, four par fours and one par five.

By this time we had about a dozen guys playing regularly. At this point we were only throwing discs made by Wham-O, like the All American model and a couple of others even smaller. We didn’t allow any discs heavier than 115 grams. One point of that restriction was to distance ourselves from other groups we’d seen playing the game. From our vantage point we saw them as being too serious about Frisbee-golf.

Essentially, the initial trips to the park to throw Frisbees at trees were just impromptu jaunts, something to do while we smoked pot and laughed at whatever seemed funny.

Yes, in those early days, marijuana smoking was associated with the game which was being played by outdoorsy hippies. Of course that changed long ago. Like, decades. Now I can say with confidence aplenty that few, if any, modern disc golfers anywhere smoke weed while they pursue their happiness slinging plastic discs at targets.

Early on, our group decided to make up and follow our own rules for the game. We had become aware there was a national governing body that was seeking to regulate disc golf and we wanted no part of such a thing. So our rules were and they remain a little quirky.

Early on, we also outlawed gambling money on the game, which was probably one of our best decisions. That rule still stands.

When we organized and set up our first tournament, it was an invitational affair in the spring of 1978. We rented the picnic shelter at Shields Lake from the parks department and threw a party with lots of food and a (discreetly hidden) keg of beer. Maybe 50 people attended and half of them played the 27 holes of that singles tournament. That meant playing nine at The Carillon and 18 at The Lake.

Larry won, Stew came in second and I placed third. No doubt Larry was pleased with that victory but our group was much more concerned with who held the course records than who was the reigning singles champ. That all came later. That first tournament was much more of a party than it was an athletic competition.

However, the name of our group came from that first tournament. For the event I had drawn up a handbill-style invitation and had also made a scoreboard out of cardboard that mimicked the scoreboards for ball golf tournaments. To stretch the association further, I wrote Greater Richmond Frizbee-Golf Association at the top of the scoreboard in Magic Marker ink.

That same weekend the professional ball golfers on tour were playing a tournament called The Greater Greensboro Open. So I was mocking that televised event, hoping for cheap laughs. At the time there was no intention on my part to name the group with that gesture.

Actually, no one in particular called our group by that name, or its acronym, until a second group of friends with a new nine-hole course in Libby Hill Park sought to establish a rivalry with us.

Over the summer of 1978, by trial and error our burgeoning group designed what we intended to be our most challenging set of nine links at Maymont, a park (with a creek and some wild animals) adjacent to Byrd Park. Again, the par was set at 33, but the new course had more hills and was a good deal longer.

Consequently, the use of 133-gram Super Pros became accepted. Thus we unwittingly signed onto the bandwagon pursuit of power and distance that has driven the game's equipment evolution ever since.

Super Pros were used in the second GRFGA singles tournament, which was won by Jack in the fall of 1978. The 27 holes played in that championship incorporated all three of the group's courses. This established the tradition of playing the 27-hole singles tournament twice a year, which is still observed.

These were still hippie times and the GRFGA's members were not particularly interested in being missionaries to spread their game/pastime to the masses.

-- Photo and words by F.T. Rea

Wednesday, February 13, 2013

Where the Frisbee Landed


Post No. 1: Frisbee Friends

After I started playing Frisbee-golf in Byrd Park in the summer of 1976 I soon grew to love the game. Still, as my Frisbee friends and I played that first course around a lake in a public park I certainly had no sense then of how important the game itself would prove to be for me in time. Now, over 36 years later, I still play on Sunday mornings and on weekday afternoons, when I can and weather permits.  

So, in all those years of throwing Frisbees at trees in the park (no baskets, we still throw at objects), I’ve thrown a good number of different flying discs. In use, some of them became favorites I remember fondly. Some even earned nicknames.

Ol’ Crush No. 3 was an orange Super Pro Frisbee (133 grams) that was the only disc I used in winning two consecutive singles tournaments in 1979. That has to  make it my all-time favorite of many Super Pros I’ve had. I still use one for most of my putts.

Had an orange Eclipse in the late-'90s that I called Tom Matte, after an old football player from yesteryear (Baltimore Colts), who played various positions on offense.

With the evolution of the game, new styles of discs have superseded some that were in wide usage 20 and 30 years ago.  So some of my favorite models from yesteryear can’t be easily replaced today, because they aren‘t being made anymore. 

Now I usually carry five or six discs with me as I play. Each is used for a specific type of shot. Most of my fellow disc golfers carry more equipment in their golf bags than I do. Toting a dozen or more discs is not unusual. 

Before taking up Frisbee-golf, originally with two friends, Larry and Stew, I hadn’t had more than a casual interest in throwing and catching flying discs. I surely had never thought of a Frisbee as a piece of sporting equipment, like a ball or a bat. Yet, once there was a specific target to aim at, instead of just tossing it back and forth, I fell in love with throwing Frisbees and watching them fly.

For those who've never seen disc golf it's played much like its predecessor, ball golf. We tee off at an appointed spot and keep throwing until we hit the designated target. The player who accomplishes the feat in the fewest shots wins the hole. Like other terms from ball golf, "hole" is used, but there are no literal holes in the ground.

When we designed our first nine-hole course, Larry and Stew were both better than I was at the game of Frisbee-golf. Eventually, I caught up.

-- Art and words by F.T. Rea

Tuesday, February 12, 2013

Flashback: A Beer with Mayor Kaine

Note: The piece below, "A Beer with the Mayor," was written by yours truly and published by Richmond.com on Sept. 29, 2000. Tim Kaine has come a long way since then.
As an observer of matters political, when I learned of Tim Kaine's interest in running for lieutenant governor, it got my attention. Having been favorably impressed with his performance as mayor of Richmond, I was curious about his plans. To get some answers, and to get a feel for Kaine as a player, I asked him to set aside some time to meet with me and spend a few minutes talking politics.

The busy councilman/attorney was kind enough to agree to get together on what is familiar turf for me - the Baja Bean at Friday happy hour.

Kaine and I sat down at a small table and the waitress took our order; a Rolling Rock for me and a Miller for the mayor. I was glad to see, as a good Democrat, he ordered a beer and not a Slice - the soft drink he has been seen shilling for in local television commercials.

Once we got past the normal exchange of introductory folderol, I asked him why he wanted to be lieutenant governor. He pointed out that he hadn't officially announced his candidacy, but conceded he was looking hard at running. Then he cut to the chase: He admitted that his long-range sights are on the governor's chair.

He went on to say that for a number of reasons, the lieutenant governor's job seemed like the best move for him to make at this time.

Most of us would probably agree that in politics, little - if anything - is more important than timing.

In July, the sudden withdrawal of state Sen. Emily Couric of Charlottesville - the presumed Democrat nominee for lieutenant governor - threw the door open for Kaine, as well as two others who are reportedly testing the waters: Del. Jerrauld Jones of Norfolk and Del. Alan Diamonstein of Newport News.

Essentially, Kaine indicated he likes the looks of the part-time position of lieutenant governor because it would allow him to move on and up, yet stay in Richmond.
He said he thinks eight years on City Council will be enough for him. He puts value in being able to remain in his Richmond home, to spend time with his wife and three children, ages 5 through 10.

As far as his agenda is concerned, Kaine pointed to education as his chief interest and what would surely be at the center of any campaign of his for statewide office.

"Virginia is deeply underfunded in education, K through 12," says the mayor with the assurance of a man who can back up what he just said.

He explained that Virginia's Republicans - in order to strike the populist pose of tax-cutters - have shifted a greater portion of the burden of the cost for public education to the localities. They did this by cutting local taxes, such as the car tax, rather than income taxes. So while we are in a time of general prosperity, the cities and counties are hurting for revenue even as the Commonwealth remains flush.

Beyond education, Kaine is already on record as a supporter of tougher controls on access to handguns and other common-sense measures to restrict exotic weapons. As well, he intends to run against the death penalty. In his view, taking what I'd call a progressive stand on these issues will play better across the state than some would argue.

His Republican opponent, should Kaine secure his party's nomination, will likely characterize those positions as liberal. But Kaine doesn't flinch at the prospect. It is his reading that such positions on guns and the death penalty are consistent with mainstream thinking in Virginia today.
Cheerfully, he told me it's his intention to run on what he believes. He hopes to win. If he loses, he'll be happy to go on to live the good life of a successful attorney and family man. I gathered that he wants to be governor one day, but he doesn't need to be governor at all costs.

"I like public service. And I think I'm good at it," Kaine says.

When time permits, he plans to stump for Chuck Robb. He'll put off any official announcement concerning his own running for office until after November's general election.

I do have one bit of free advice for Richmond's savvy and genial mayor: He should make that silly Slice commercial the last of its ilk. Although it may have seemed harmless when the prospect was pitched to him, as it appears on TV, the gesture comes off as bush league (not a whit of reference to anybody named Bush is intended), even if it's not inappropriate.

Maybe an eager police chief, even a small-market mayor, does it for a laugh. But in my view, it's not the sort of thing a Virginia governor does.

Or, maybe I'm being a stick in the mud.

Nonetheless, I suspect Tim Kaine has a bright future in politics. His grasp of the circumstances in which he is operating sounds sure. His natural confidence in his own view of the political landscape strikes me as refreshing. He comes off as a man who does his own thinking, and his sense of purpose seems genuine.

If Tim does get as far as the governor's mansion, I hope he'll still find the time to have a cold beer and talk politics at happy hour.

Monday, February 11, 2013

Feb.11: Biograph Theatre's 41st anniversary

"Matinee Madcap," a nine-minute homage to one-reel silent comedies, was shot in 16mm at the Biograph Theatre in 1974. It was shown there almost too many times.

On February 11, 1972, Richmonders got their first dose of a Biograph party. That was the day of the Biograph Theatre's invitational opening, which offered a screening of "King of Hearts" (1966) and all the champagne you could drink. It was wall-to-wall film buffs, scenesters, media folk and so-called beautiful people.

Chuck Wrenn called this morning to wish me a happy 41st anniversary. As always, it was fun to hop aboard the Wayback Machine for a few minutes with my old friend. 

In its first year of operation at 814W. Grace St. the optimistic Biograph, which billed itself as a repertory cinema, presented over 200 different feature-length films. That year's avalanche of movies and new associations proved to be an eye-opening education for the somewhat cocky kid who was the Biograph's 24-year-old manager.

Fast forward to December of 1987: With the Golden Age of Repertory Cinema already in the rear-view mirror, the exhausted Biograph closed its doors forever.

During its run, that little independent movie house not only encouraged us dreamers to seek out a world outside of Richmond's traditional limitations, it focused our attention on subtle details that tattooed our minds with images. For some who poured our time into watching light move on a screen at 814W. Grace St. those
images still have the power to enlighten. 

Like me, Chuck was on the Biograph's staff for its opening. To follow suit, I want to wish everyone who worked at the Biograph -- with just two exceptions -- a happy 41st. And, please don't forget to have a good time.

Here are links to some stories about the Biograph at a web site of mine called Biograph Times:
OK, about the two exceptions. One of them was an usher who got fired after wigging out and roughing up a cashier at one of the mid-'70s Christmas parties. The other was a projectionist whose name I still don't speak or write. Warning: the story of that dark episode is not happy nostalgia. Still want to read it? Go here -- The Jellypig

Want even more? There are plenty of other stories at that web site.

Saturday, February 09, 2013

Shills Protecting Thrills

 

Don't tell me most of America’s mass-murdering shooters would simply have switched over to bombs, or poison, if they couldn't have gotten a hold of their favorite tools.

Those killers craved the raw thrill of shooting rapid-fire weapons at living people so much they finally did it. Killers they were, but they weren't bombers or poisoners. They were shooters.

While Wayne LaPierre and the rest of the shills for the firearms industry talk incessantly about protecting constitutional rights, the angle they don't want to discuss is protecting thrills ... real and imagined.

Wednesday, February 06, 2013

No More Taylor to Blame at ODU

Why would ODU fire its top-winning men's basketball coach of all-time?

Well, some might say Blaine Taylor has been such a nasty combination of a tedious whiner and a swaggering braggart over the years that all he needed was one bad season to get bounced out of Norfolk. The Monarch’s current 2-20 mark certainly qualifies as a ba-ad season. 
While at first glance the firing isn't a surprise given the team's record, you'd expect a coach who has achieved so much—as Taylor has at ODU, leading them to the NCAA tournament four times and a first-round win three years ago—to be able to survive a single wilderness campaign. After all, under Taylor's leadership the Monarchs have finished with 20 or more wins six times (including the past four seasons) and he's the all-time ODU wins leader.
Read this short piece in Deadspin and be sure to watch the rather strange video.

VCU Rams fans remember "Blame" Taylor as their favorite guy to mock (click here for another laugh at Taylor's expense). 

Tuesday, January 29, 2013

With 1968 in the Rear-View Mirror

Note: Forty-five years ago, tomorrow, the Tet Offensive was launched in Vietnam. A week before, the USS Pueblo had been captured at sea. It was a hell of a way to start a year. It was 1968. The piece below was written in 2012; after some foolishness it takes a look at 1968, a year shaped by unusual violence.


After no sleep for a couple of nights, while being overcome by a virus, I finally dozed off. Wouldn’t you know it, the ghost of Richard Nixon came to me in a dream. He said he had a message for Mitt Romney.

"Hey, I don't like Romney a bit," I said. So, I told Nixon to quit bothering me, he should just tell Romney himself.

Frowning and shaking his jowls, Nixon said he’d stop pestering me when I promise to never draw another mean caricature of him.

Naturally, I chuckled, “No dice.”

So, Nixon instructed me, “Tell that Romney not to let anybody discourage him from twisting the truth into whatever shape he likes, whenever the hell he feels like it. You tell him that when a Republican President-elect says it during his run for office, it isn't called lying. No sir! It’s called, advertising.”    

Nixon waited for me to laugh. I didn't. Then he wanted to talk about the everlasting genius of his famous Checkers Speech.

To shut his trap, I woke up and ambled toward the bathroom. Covered in sweat, I was hoping my fever had broken.  

Then, walking back toward my bed, I thought about the opinion polls that suggest most Americans are sick and tired of the war in Afghanistan, but they're itching to start a new war with Iran.

No joke.

After the Vietnam War, I foolishly thought I'd never see my country mired in a long, unpopular war again. Of course, before the Bush administration’s power-grabbing reaction to 9/11, I never anticipated such a thing as a never-ending war on a tactic -- the War on Terror.

Thinking about how wrong well-meaning people can be about the justifications of a war reminds me of 1968, a year that began with most Americans supporting their nation’s war in Southeast Asia.

With the still-escalating war in Vietnam as a backdrop, the stormy events of America’s 1968 unfolded the year after San Francisco’s Summer of Love. In 1969 our swashbuckling astronauts first set foot on the moon. My generation remembers 1968 for its wall-to-wall violence.

*

Jan. 23: The USS Pueblo was seized on the high seas by North Korean forces; at least that’s the story I got. At the time I was in the Navy and I had little doubt we would rescue the Pueblo’s crew, even if it meant another war.

Subsequently, as captives, the Pueblo’s 83 men endured an ordeal that was shocking to an American public that had naively thought its Super Power status meant such things could not happen.

Jan. 30: The Tet Offensive began, as the shadowy Viet Cong flexed its muscles and blurred battle lines with simultaneous assaults in many parts of South Vietnam. Even the American embassy in Saigon was attacked.

Mar. 16: Some 500 Vietnamese villagers -- women, children and old men (animals, too) -- were killed by American soldiers on patrol in what came to be known as the My Lai Massacre. However, it would be another 20 months before investigative journalist Seymour Hersh would break the horrifying story of the covered-up massacre, via the Associated Press wire service.

Mar. 31: Facing the burgeoning antiwar-driven campaigns of Sen. Eugene McCarthy and Sen. Robert Kennedy, President Lyndon Johnson suddenly withdrew from the presidential race, declining to run for reelection by saying, “I shall not seek and I will not accept the nomination...”

Apr. 4: America’s most respected civil rights leader, Martin Luther King, was shot and killed in Memphis, Tennessee. Riots followed in cities coast-to-coast. The bitterness that remained after the dust settled was scary.

In Richmond, it ended an era. Young adventurous whites who followed music could no longer go in the black clubs they had once patronized. No more Sahara Club for me.

May 13: The USA and North Vietnam began a series of negotiations to end the war in Vietnam that came to be known as the Paris Peace Talks. Ironically, as a backdrop, France, itself, was in chaos. Workers and students had shut down much of the country with a series of strikes. The trains weren’t running, the airports were closed, as were schools, etc.

May 24: On the same day I was discharged from the Navy, Father Philip Berrigan and Thomas Lewis (of Artists Concerned About Vietnam) got sentenced to six years for destroying federal property, stemming from an incident where duck blood was poured over draft files at Baltimore’s Selective Service headquarters.

June 3: Artist Andy Warhol nearly died from wounds received from a gunshot fired by Valerie Solanis. She was a sometime writer and one of the many off-beat characters who had occasionally hung out at Warhol’s famous studio, The Factory. 

June 5: Having just won the California primary, Robert Kennedy was assassinated by Sirhan Sirhan in Los Angeles. The hopes of millions that the Vietnam War would end soon died that night. It’s hard to imagine that Richard Nixon would have been able to defeat Kennedy in the general election.

Kennedy's death meant the gravy train being enjoyed by big corporations supplying the war effort would continue to chug along. At this same time, 21-year-old Mitt Romney, who was a decidedly pro-war guy, was acting as a Mormon missionary in France.

June 8: James Earl Ray was arrested in London. Eventually, he was convicted of murdering Martin Luther King. Yet, questions about that crime and Ray's role linger today.

July 23: After watching “2001: A Space Odyssey” at the Westhampton Theatre, I saw The Who play live on stage at the Mosque (now the Altria Theater). Looking at the long line to get into the concert, I was quite surprised at how many hippies there were in Richmond. This was in the period the band was into smashing up its equipment to finish off shows.

The acid I took that day served me well.

Aug. 20: Soviet tanks rolled into Czechoslovakia to crush what had been a season of renaissance. As it had been with the construction of the Berlin Wall and the Cuban Missile Crisis, talk of World War III being one button-push away was commonplace.

Aug. 28: In Chicago the Democratic convention that selected Vice President Hubert Humphrey to top its ticket melted down. With tear gas in the air and blood in the streets 178 demonstrators/bystanders were arrested. Many were roughed up on live television. As cops clubbed citizens in the streets, CBS reporters Mike Wallace and Dan Rather were punched on the convention floor.

Watching the riots surrounding the Democratic convention on television, I began wondering if those who were saying our society was coming unglued might be right. Consequently, for the first time my political ideas were aired out in a newspaper, when my letter to the editor was published by the Richmond Times-Dispatch. That experience began a love affair with seeing my name in print.

Oct. 18: At the Summer Olympics at Mexico City, American track stars Tommie Smith and John Carlos raised their fists during the medal ceremony for the 200 meter race. Smith and Carlos wore black gloves (and other symbolic accouterments) for a protest gesture that was widely seen as a “black power” salute.

Nov. 5: Richard Nixon (depicted above) narrowly defeated Hubert Humphrey. Although Humphrey, himself, was for peace, out of loyalty he refused to denounce Johnson’s failing war policy. It cost Humphrey dearly.

Also elected that day was Shirley Chisholm from Brooklyn. She was the first black female to serve in the House of Representatives.

Dec. 21: The first manned space mission to escape Earth’s gravity and orbit the moon began with the launching of Apollo 8.

Dec. 24: After having its way with them for 11 months, torture and mock executions included, North Korea released all of the members of the Pueblo’s crew but kept the ship. The U.S. Navy seemed to blame the Pueblo’s captain, Commander Lloyd M. "Pete" Bucher, for the entire painful fiasco. Mercifully, the Secretary of the Navy called off any official punishment.

At the time, there was a cumulative, escalating feeling that connected the most earthshaking events of 1968. Each crazy thing that happened seemed to be feeding off of the last crazy thing.

After 1968, the general public’s perception of the antiwar movement’s protests as being unpatriotic kaleidoscoped into something else. In June of 1969 LIFE Magazine published “The Faces of the American Dead in Vietnam: One Week’s Toll.” It was a ten-page story that featured photographs and the names of 242 men who had died in the war in one week.

The effect was dramatic. Looking at all those hopeful young faces was too much to bear, when we knew each coming week was going to claim the lives of another two or three hundred young men.

In 1969 the Hawks' picture of how a victory in Vietnam would look was rapidly fading into a blur. With 1968 in the rear-view mirror, the Doves were beginning to prevail in the propaganda struggle ... the bloody war went on, anyway.

-- 30 --

Note: This story is part of a collection of them at Biograph Times. Words and art by F.T. Rea. All rights reserved.

The Big Stretch

This piece first appeared in STYLE Weekly in 2002

If Dorothy Parker wasn’t cool, 
who the hell was? 
The prototype was assembled during a lull in seventh grade shop class. After tying some 15 rubber bands together to make a chain, a collaborator held one end of the contraption as I stepped back to stretch it out for a test. Squinting to sight along the taut line to take proper aim, finally, I let go.

The whole thing gathered itself and shot past the holder. The released tip struck a target smartly, several feet beyond the holder. While the satisfaction I felt was a rush, the encouragement from the boys who witnessed that launching felt transforming.

Through a pleasant sequence of trial-and-error experiments, it was soon determined how to best maximize distance and accuracy. Once guys across the room were getting popped with the bitter end of my brainchild -- dubbed The Stretch -- the spitballs that routinely flew around classrooms in 1961 at Albert H. Hill Junior High -- were strictly old news.

A couple of days later, uncharacteristically, I appeared on the schoolyard an hour before the first bell. Inside a brown paper bag I had was an updated version of my invention. This one was some 60 links long -- the Big Stretch. No one at school had seen it and I was only too happy to change that.

Once the Big Stretch was tested on the schoolyard, demonstrating its amazing new range, boys were soon shoving one another aside just to act as holders. Most of the time I did the shooting. Occasionally, one of the guys from my inner circle was permitted to be the shooter. As the wonder whizzed by it made such a splendid noise that just standing close by the holder was a thrill, too. On the asphalt playground behind the yellow brick school building an enthusiastic throng cheered each flight.

The Big Stretch went on to make an appearance at an afternoon football game, where its operators established to the delight of the audience that cheerleaders on the sideline at a football game could be zapped on their bouncing butts with impunity from more than 25 yards away. After a couple of days of demonstrations around the neighborhood and at Willow Lawn shopping center, again, I significantly lengthened the chain of rubber bands.

But the new version -- about 100 rubber bands long -- proved too heavy for its own good. It was not as accurate or powerful as the previous model. Then came the morning a couple of beefy ninth-grade football players weren’t content with taking a single turn with the new Big Stretch. Although there was a line behind them they demanded another go.

Surrounded by seventh-grade devotees of the Big Stretch, I stood my ground and refused. But my fair-weather-friend entourage was useless in a pinch. Faced with no good options, I fled with my claim-to-fame in hand. In short order I was cornered and pounded until the determined thieves got the loot they wanted. They fooled around for a while trying to hit their buddies with it. Eventually, several rubber bands broke and the Big Stretch was literally pulled to pieces and scattered.

By then my nose had stopped bleeding, so I gathered my dignity and shrugged off the whole affair, as best I could. I chose not to make another version of the Big Stretch. A couple of other kids copied it, but nobody seemed to care. Just as abruptly as it had gotten underway, the connected-rubber-band craze ran out of gas at Hill School.

It was over.

At that time the slang meaning of “cool” had an underground cachet which has been stretched out of shape since. We’re told the concept of cool, and the term itself, seeped out of the early bebop scene in Manhattan in the ‘40s. That may be, but to me the same delightful sense of spontaneity and understated defiance seems abundantly evident in forms of expression that predate the Dizzy Gillespie/Thelonious Monk era at Minton’s, on 118th Street.

Wasn’t that Round Table scene at the Algonquin Hotel, back in the ‘20s, something akin to cool? If Dorothy Parker wasn’t cool, who the hell was? (Of course, I mean on paper, not necessarily in her day-to-day deportment.) And, in the decades that preceded the advent of bebop jazz, surely modern art -- with its cubism, surrealism, constructivism, and so forth -- was laying down some of the rules for what became known as cool.

Cool’s zenith had probably been passed by the time I became enamored with the Beats, via national magazines. Widespread exposure and cool were more or less incompatible. Significantly, cool -- with its ability to be flippant and profound in the same gesture -- rose and fell without the encouragement of the ruling class. Underdogs invented cool out of thin air. It was a style that was beyond what money could buy.

The artful grasping of a moment’s unique truth was cool. However, just as the one-time-only perfect notes blown in a jam session can’t be duplicated, authentic cool was difficult to harness; even more difficult to mass-produce.

By the ‘70s, the mobs of Hippies attuned to stadium Rock ‘n’ Roll shrugged nothing off. Cool was probably too subtle for them to appreciate. The Disco craze ignored cool. Punk Rockers searched for it in all the wrong places, then caught a buzz and gave up.

Eventually, in targeting self-absorbed Baby Boomers as a market, Madison Avenue promoted everything under the sun -- including schmaltz, and worse -- as cool. The expression subsequently lost its moorings and dissolved into the soup of mainstream vernacular.

Time tends to stretch slang expressions thin as they are assimilated; pronunciations and definitions come and go. Since then, when people say, “ku-ul,” usually it's to express their ordinary approval of routine things.

The process of becoming cool, then popular, pulled The Big Stretch to pieces. Once the experimental aspect of it was over it got old, like any worn out joke. Then it began to play as just another showoff gimmick, which was something less-than-cool, even to seventh-graders a long time ago.

Cool has always been elusive, never easy to corral. In the early-1960s, it was essential to grasp that a copycat could never be but so cool.

-- 30 --

This story is part of a collection of them at Biograph Times. Words and art by F.T. Rea.  
All rights reserved.

Friday, January 25, 2013

Recollections in High Contrast


Snow brings back memories. When we see the way snow changes the world around us into resembling high contrast black and white photographs, we can't help but connect to when we saw that distinctive look before. In Richmond, Virginia, it's a look we don't see every year.

We remember when a happy puppy first encountered snow. We remember snowball fights and the raised-glass revelry in crowded Fan District bars. We remember particular people we associate with yesteryear's snowy landscapes.

In the winter of 1958-59 I had just turned 11. Buster was probably six or seven months old when he saw his first snow. He was a white mutt, supposedly he had some Spitz in him. Watching him rooting in the snow, barking at it, rolling in it, was hilarious. He seemed to absolutely love the smell and feel of snow.

Maybe the best snowball shot I ever made was in the early '80s on West Grace Street. Rebby Sharp and I were across the street from the Biograph Theatre, ducked down behind some parked cars. It was after dark but I can't say how late it was. There was a snowfall underway and it was sticking. Rebby and I were battling some friends, who were in front of Don's Hot Nuts, next door to the cinema, which I managed in those days.

Rebby and her band, the Orthotonics, used to practice sometimes in the theater's large auditorium during off hours. Some of Rebby's fans might not have known it, but she wasn't a bad athlete; she pitched for the Biograph's women's softball team had a decent throwing arm.

When some snowballs thumped off of Donald Cooper's peculiar bright green candy business storefront, he came out on his porch to tell the snowball fighters to scram. As everyone associated with the Biograph knew Cooper to be an utter pest and the worst neighbor in the world, there was no need for a plan.

Rebby threw first. My throw left with dispatch a split second later. Both were superbly well put shots. When Cooper extended his hand to block Rebby's incoming snowball it shattered to shower him. Then my throw hit him square in the face ... ba-da-bing!

Cooper abruptly quit his stance and retired for the night.

The best rides in the snow I can remember were at Libby Hill Park. In the late-'70s and early-'80s I spent a lot of time up there. Used to play Frisbee-golf in that park quite a bit. And, there were a few heavy snows in that same period, which drew thrill-riders to what was then called the Slide of Death.

We rode inflated inner tubes from the top of a series of hills in the sloped park down to Main Street below. When the snow was right those tubes went airborne at least a couple of times; the fast ride was quite exhilarating.

There was a particular time that stands out. Dennison Macdonald, who died in 1984, had hosed down the first hill, so it would freeze in the frigid air and make the track as slick and quick as greased lightning.

Eventually, the run to the bottom got so fast you had to be drunk to take the risk of riding, which wasn't a problem for those of us standing around a fire-barrel passing a bottle of Bushmills around between wild rides.

Not long ago, Chuck Wrenn, who still lives across the street from the launching point of the old Slide of Death, and I talked about that night. We recalled the sight of Duck Baker pretending he was going to ride a shaggy dog down the chute. Duck had us laughing so hard, it's still funny today.

Of course, you had to be there.

-- 30 --

-- Words and photo by F.T. Rea

Wednesday, January 23, 2013

LaPierre's Warning: For Those Who Have the Ears to Hear It


 The NRA's Wayne LaPierre: The only reason to register all of America's guns is so the federal government can confiscate YOUR guns. The only reason for that is so Obama’s black-booted agents can then melt those guns down, to pour the liquefied metal into YOUR ears.  

-- Art and words by F.T. Rea

Saturday, January 19, 2013

About 'Lonely Are the Brave'

When I booked “Lonely Are the Brave” to play at the Biograph Theatre in the summer of 1980, I had probably seen it before on television only. While I don’t remember when I first saw it, I do remember that when it played at the Biograph most of the regulars hadn’t seen it before. So that made presenting it all the more fun.

Over the years since then, with subsequent viewings, it has slowly grown to be one of my favorites; it has crept into my personal Top 10. Here are the bare-bones details:

“Lonely Are the Brave” (1962): B&W. 107 minutes. Directed by David Miller. Screenplay: Dalton Trumbo. Score: Jerry Goldsmith. Cast: Kirk Douglas, Walter Matthau, Gena Rowlands, George Kennedy, Carroll O’Connor. Note: The story is set in what were then current times. To help his fellow Korean War vet best friend, a free-spirited cowboy on horseback rides into a small town in New Mexico, to fling himself recklessly at the hobbling effects of modernity’s demands … then he tries desperately to make a seemingly impossible escape.

To celebrate the Biograph’s 40th anniversary in February of 2012, I had the pleasure of being a part of presenting “Lonely” to an audience again, as the James River Film Society paired it with “Breathless” and showed the double feature as a fundraiser. Once again it was worth noting how many in attendance said they hadn’t seen it before.
If you ask the 96-year-old star of “Lonely” what has been his all-time favorite Kirk Douglas movie, Douglas would probably still say, “It's my baby.” He was the one who read the Edward Abbey novel, "The Brave Cowboy," hired Trumbo to write the screenplay and then assembled the production's cast and crew. Douglas intended to make it a modern western crafted for art house release. He was trying to make a lean Hollywood answer to European art films, like those of the French New Wave. 

Instead, the studio, Universal, slated the movie for general release and promoted it as an action film. So, like some other noteworthy film classics, “Lonely” flopped in its original first-run release.  

Below are links to a seven-part 2002 interview with Douglas on YouTube, during which he talks about making the movie. Each part is short, two or three minutes. If you haven't seen the movie yet, note there's a spoiler alert for a bit of info that is in Part Five.

Part One
Part Two
Part Three
Part Four
Part Five (spoiler alert)
Part Six
Part Seven 

Bonus! Here's a link to see the entire movie on YouTube.

Enjoy.

Friday, January 18, 2013

Massacre Prevention

When it comes to reacting to a news bulletin about the mass murder of school children by a crazed shooter, until now, it has seemed there have been two kinds of people:
  • Most people have been stunned, then for a few days their feelings have teetered between quiet sadness and bitter outrage. Eventually, they have accepted that such killings are probably inevitable with the all-powerful NRA preventing change, so they have tried not to dwell on it.
  • A noisy and paranoid minority has gotten profoundly spooked. So, each time those folks have rushed out to buy what have been called "assault rifles." While at the gun shops the craziest of them have also bought large magazines and all the ammo they could haul. 
The fearful and focused minority has ruled in recent years. Now that's going to change, because to a great extent its power has been standing on noise.

In spite of what some politicians might think the majority of Americans now want change, and at long-last the NRA's noisy propaganda is going stale. Its ability to frame the issues is melting away like a drenched wicked witch.

Hey, we don't have to keep calling the rapid-fire weapons preferred by schoolhouse shooters "assault rifles," which is a term designed to make them sound cool to fools. Maybe such deadly tools are better described as "weapons of mass murder." Only a fool would want WMMs to be legal.

Instead of demanding better "gun control," which sounds like Big Brother is coming to confiscate old revolvers from locked drawers in bedrooms, maybe what we really need is "massacre prevention."

Wednesday, January 16, 2013

Row, row, row ... not!

There are 11 people in a lifeboat. Six of them are Democrats, five are Republicans.

In opposite directions there are two islands in sight. The debate over which direction to row the boat divides completely along partisan lines. After a vote, the Republicans flatly refuse to help row the boat toward Island A; they demand the group choose Island B, instead.

When the Democrats say, “Majority rules, so help us row toward Island A,” the Republicans start punching holes in the boat.

Which reminds me of an old slogan the stubborn rightwingers used a lot during the Cold War: "Better dead than red."   

Wednesday, January 09, 2013

Norquist and LaPierre huffing and puffing

Grover Norquist and Wayne LaPierre share a particular scaredy cat view. Both fear compromise, because they see each instance of compromise as a fearful step toward a slippery slope -- a slope that could lead to the public actually liking the result of the compromise.

Heavens-to-Betsy! Then the public might demand more compromises. Next thing you know it could cost Norquist's and LaPierre's favorite deep-pocketed backers some money.

So both of those self-styled Grand Old Party bosses preach that any compromise whatsoever on their pet issues is tantamount to treason. Thus, purity tests loom over all discussions that touch on taxes or guns.

Consequently, Norquist and LaPierre see filibusters and gridlock as good options and it seems many Republicans in Congress still feel bound to vote as that pair dictates. Over the next few months the stale old government-shutdown-is-good smell is going to be hanging in the air. 

Hey, both Norquist and LaPierre would have been seen as crackpots in the 1960s or ‘70s. In spite of the power they’ve wielded over obedient conservatives during the last 20 years, or so, both scaredy cats will eventually be viewed in that very light. They both act like religious zealots, so why not?

Since elections do matter, time isn’t really on their side.

Until a day of awakening comes to the GOP, we can expect Grover and Wayne to keep on huffing and puffing to blown down all they can … that’s what they do. The myopic Republicans who stick by them the longest will pay the biggest price.